scaun balansoar second hand, After this initial encounter, we see them meet up a number of times, with Pina eventually being the one to connect Patrizia to the two hitmen that ultimately orchestrate the murder of Maurizio. Lady Gaga portrays Patrizia Reggiani while Adam Driver tackles Maurizio Gucci. Of course, these are real people, as are the supporting players. This includes Pina Auriemma, who plays an important part in the narrative. Directed by Ridley Scott , HOUSE OF GUCCI features stellar performances from Lady Gaga, Adam Driver, Jared Leto, Salma Hayek, and Al Pacino. Gaga is gripping as Reggiani, wrapping you around her jewellery laden finger in a performance that must be seen to be believed.If you are eagerly awaiting the release of the high-fashion crime film House of Gucci then hold onto your hats, as the stunning Italian mansion featured in the movie can now be rented through Airbnb. This is fun for a while — the movie is more than two and a half hours long — and Gaga and Driver have an interesting chemistry. Maurizio is quiet and a little passive, but Patrizia nudges him toward a bolder idea of himself. He defies his aristocratic father, Rodolfo , who regards Patrizia as a social climber and a gold digger. He isn't altogether wrong, but Maurizio marries her anyway, and finds brief happiness working for his in-laws, trading in his cut-to-measure suits for proletarian coveralls. He plays soccer and horses around with the other drivers and mechanics during lunch break until Patrizia summons him to the office to attend to his conjugal duties.Aldo insists that the cows deserve praise for what they have given their owners. Like Scott's 2017 Getty family drama All the Money in the World, House of Gucci does a solid job of evoking its recent-history milieu, boasting a beige and brown palette that reeks of nicotine and caffeine, with occasional bursts of reportage-style monochrome. Musically, it's a cheesy jukebox treat, Pavarotti and Tracy Chapman rubbing shoulders with Caterina Caselli and Blondie, and a wedding played out to the strains of George Michael's Faith. The Gucci family have not themselves been connected to the fashion house since the 1990s.Through it all, Salma Hayek's naive psychic Pina guides the increasingly distraught queen-bee Patrizia with prophecies about the future, lending the film some of its most hysterical scenes. A lot of things, really, but mostly a strong idea and a credible reason for existing. The raw material plays as tragedy and farce at the same time.If you thought Gaga's star turn in A Star is Born was a fluke—a near perfect marriage of performer to role that could never be replicated—fear not. She's absolutely mesmerizing here, often outshining her more experienced costars. Saying that it proves her performance in A Star is Born wasn't just a flash in the pan.Leto's brilliance as an actor is literally buried under latex prosthetics. Both performers are given license to be absolute hams — and not of the prosciutto variety. Paolo, whom I met on several occasions, was indeed eccentric and did some wacky things, but his overall demeanor was certainly not like the crazed and seemingly mentally challenged character of Leto's performance, Ford wrote. Ford also took particular issue with Jared Leto's larger-than-life, latex-shrouded performance as Paolo, the black sheep of the family who tries to outsmart Maurizio and Patrizia in their ascent to power.In Ridley Scott's House of Gucci, he's played by Reeve Carney in a few scenes of the film, which of course meant Ford himself would inevitably watch. In a new essay for Air Mail, Ford aired out his grievances with the movie, which he felt missed the mark despite strong performances from Lady Gaga and Jeremy Irons as Rodolfo, Maurizio's father). Also in the mix is Aldo's son Paolo, brought to life by Jared Leto, whose outrageous gaudiness single-handedly earns the aforesaid rock concert analogy. Leto's approach to the role instantly proves apt for Paolo, an incompetent businessman wannabe and an aspiring fashion designer with little taste and even less talent.They are cautionary tales about the terrible things that people will do to one another for money, shaped by the ironic understanding that even after all these terrible things are done, nobody really wins. House of Gucci is not a particularly subtle movie, but it doesn't need to be. Unsurprisingly, visual design is how House of Gucci leaves its strongest impression.